Excerpt from Musical Portraits: Interpretations of Twenty Modern Composers<br><br>Even Meyerbeer taught Wagner something more than the use of certain instruments, the bass-clarinet, for instance. The old operatic speculator indubitably was responsible for Wagner's grand demands upon the scene-painter and the stage - carpenter. His pom pous spectacles fired the younger man not only with Rienzi. They indubitably gave him the courage to create an operatic art that celebrated the new gold and power and magnificence, and was Grand Opera indeed. If the works Of the one were Sham, and those of the other poetry, it was only that Wagner realized what the other sought vainly all his life to attain, and was prevented by the stock broker within.<br><br>About the Publisher<br><br>Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com<br><br>This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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